Saturday, October 17, 2009

How I Understood Hip-Hop at 17

The following essay was written when I was just 17. By this time, I had already been thinking and writing about hip-hop for the better part of a year and had identified as a "hip-hopper" for nearly two, although as indicated elsewhere on the blog I had been influenced by hip-hop culture from a very young age.

This was an overly ambitious project that was to be the first chapter in a book called "The Hip Hop Manifesto" which was used for the purposes of building a national hip-hop organization through a website I maintained in the late 90s called "The B-Boy Call E-zine." While I had recruited twenty or so people locally, a few people nationally, and one person from Canada, I didn't have the experience, perspective, or commitment in terms of where to take the organization and how to build and consolidate locals.

I'll expound later in the comments section.

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Saturday, May 23, 1998

This oppressed culture, established circa 1973, will be a key player in the coming revolution. Before this time we must bring order to Hip Hop by discussing our goals and how we plan to work independently as a nation.

I believe first that we must identify ourselves. Who is a Hip Hopper? How does one become a Hip Hopper? There is no traditional way of officially becoming a follower of Hip Hop. There is no ceremony or prayer that is completed. But if we want order and if we want to progress and exceed beyond the four elements that currently make up this culture, we must adopt some form of ceremony that we must all go through to give each of us a better understanding of the intentions of this culture. If not a ceremony then an acceptance of a basic belief system.

How should this belief system be based then? Well, we must first look at how and why Hip Hop started. It started out of ruins of slave ships, Christ worshiping Aztecs, and English-speaking Native Americans. We were brought together by hate and bloodshed. If there had been no oppression, Hip Hop would have never existed.

What system was this culture founded in and who brought us all together? The capitalist United States of America.

So, we must recognize first that this system that we live under is evil and corrupt. We must also recognize that most and maybe all governments and systems inside this planet Earth exploit the masses of people. As Hip Hoppers we must deny any tie we have to these systems and accept ourselves only as inhabitants of the Earth. Any feelings of nationalism should be left behind as barriers from unification with others and a oneness with the Earth and Universe. And since Hip Hop is a multinational and multiracial culture then we must believe that we are all one nation under a move.

We need to be Humanitarians and take care of each other and the Earth. It is not the Earth itself that is bad, it's the systems within it. We must start thinking and acting as Humanitarians. We are all struggling to better Humanity and the masses. We all have our own philosophies and religions and opinions on God, but we all need to live by these basic principles. Peace, Love, Unity, and Revolution.

Peace because Hip Hop became and outlet from negativity. Instead of gunshots being exchanged between individuals who disliked each other, a battle of skills would take place to be determined by the audience.

We must remain humble and peaceful. We must set an example for the rest of the world to see. We must also have love for each other and the Earth. And in the spiritual revolution, love will be the ammunition used against a hateful system.

Unity is mandatory. Hip Hop became a culture because of the unity among the followers. Us sticking together and cooperation amongst each other is what's going to help us advance as a nation. People ask me all the time how I can promote love and revolution at the same time. But what they don't realize is that this system was founded on hate, so love is a revolutionary act.

With these basic principles, some sort of ceremony should take place. If a person is not inspired to practice an element, he or she should find some other form of expression and add his or her own flavor to the culture. As long as you dedicate yourself and strive to better the culture and use it for good it is not necessary to practice one of the four standard elements. Once a person understands the principles and knows their history of this culture, only then should the ceremony take place. There should also be witnesses participating.

This is not an organization, but we must have some organization within this culture. We need more rallies and events to discuss the current issues within Hip Hop and how we plan to address these issues such as the media's interpretation of Hip Hop and how they compare us to gangsters, hoodlums, radical, vandals, etc. We need to discuss how we will react to these false pretenses.

We must start becoming an active movement because we are a movement. We are revolutionaries and we do have a cause. Our cause is to end oppression and exploitation at all costs. We must break this continual cycle of hate handed down from generation to generation. We must keep from happening the same thing that happened to us. We must give these lost clones feeding off negativity an outlet. We must shed our light. Hip Hop was and is a light within the dark.

Hip Hop is very unorganized currently. With what we have and what we know we must organize and prepare for the future and the shift of the people's consciousness. We must move forward and become active with our knowledge and strength in numbers. We must constantly attract future followers. By all means necessary...prepare.

3 comments:

  1. There's an interesting set of contradictions swirling around this short essay I wrote over 11 years ago. Without giving it a thorough dissection, it is worth mentioning a few points of emphasis.

    The uniting positive themes of the essay are hip-hop identity, organization, and anti-racism, while its weaknesses are individualistic and liberal methods of social change. There is, of course, a lack of coherence but that is natural when first starting to make sense of a complex thing like hip-hop, especially for a 17-year-old. Here I was also trying to reconcile my own uneven philosophical and political ideas with my equally uneven understanding of hip-hop.

    Hip-hop identity has been and is in the making. The question is how and on what terms. This identity isn't based superficially on "acknowledgment" or "consciousness" of hip-hop history or its many arts. Ultimately it can't be anything more than the contradictions which drive it forward, but we can still look at a few underlying features or themes that more or less run through the whole of it. Identification with people of color and anti-racism is foremost.

    Hip-hop is as contradictory as society itself and while I saw the need for mass organization of the hip-hop generation I was under the mistaken idea that this was done on cultural terms. Furthermore, this concept of organization was a shallow formalism injected with an anti-racist, ecologically friendly politics. KRS-One and the "Temple of Hiphop Kulture" represent the closest attempt at such cultural organization and it contains the same kind of empty formalism that reduces itself to the correct spelling of "hip-hop."

    This essay in some ways foresees formations like the National Hip Hop Political Convention, but its content is merely about negating an image instead of developing an independent politics it advocates. The NHHPC isn't exempt from some of this, but it definitely does not represent the political independence of the hip-hop generation as it is primarily an interest group that tails the Democrats. In the essay, the foggy politics present are conflated further by the thinking that hip-hop could be cohered as a nationality and could struggle for national independence. How ludicrous but also how fascinating that this idea existed. Again, KRS-One has advanced this notion most notably through recognition of hip-hop by the United Nations. Clearly, KRS bore heavily on my interpretation of hip-hop identity then.

    In the last decade we've seen a number of explicitly political hip-hop organizations emerge so this essay has to be seen in terms of the period it was in. This was when hip-hop culture was beginning to break out of purely cultural confines. It could be argued that hip-hop was never simply about culture to begin with, but hip-hop as a multifarious or all-encompassing identity had yet to coalesce. Unfortunately, many such organizations, and I'd love for folks to point out exceptions to this rule, many of these experiments have yet to manifest a politics that isn't laden with liberal electoralism.

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  2. Hey compa, this is good, i think there are very important points in the esay (which u mention in your comment so i ain't gonna go over them)... There is a really amazing organization that has inspired me lots called the "Red de Hip-Hop Activista" in chile, dunno if you have heard of it?? they have some cool video and stuff aout them, thou they are in spanish...

    hey i was also looking for an email to contact, ut couldn't find it... is there one? cuz i'd like to cast a message

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  3. LQ,

    Would you mind forwarding me some info or a URL for the Red de Hip-Hop Activista in English? I'd like to learn more as I have not heard of it. Perhaps I could Google translate it.

    Feel free to hit me up at choppercity07@gmail.com. Looking forward to talking with you more.


    Krisna

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