For JamusaWhile we have often taken up the question of efforts to make a coherent politics out of hip-hop, today we take up the injecting of politics into it.
See the new unofficial endorsement of right-wing Libertarian candidate for president, Ron Paul, by the blog Where HipHop and Libertarianism Meet (WHHLM).
First, while WHHLM states that Paul has no control over who endorses him, it should be to no one's surprise that Stormfront (a "white nationalist" group) has endorsed Ron Paul. Politicians like Paul pretend to have a monopoly on the term "libertarianism", ignoring its left-wing and anarchist traditions. Of course, the danger in subscribing simply to "libertarianism" leaves one open to its chauvinistic variants. Because of this, alternatives have developed (libertarian socialism, libertarian communism, etc.) which attempt to deviate from the petty property rights and fake populism of its right-wing counterpart.
A great bulk of the hip-hop generation, or those influenced by hip-hop, are undocumented workers; people that Ron Paul wants to effectively strip of any rights or aid as if the surplus-value they contribute to the US economy through their labor is nil. Immigrants give more precisely because they are exploited to a higher degree than American-born workers. This makes them central to the emancipation of working people generally, just as the eradication of slave labor in the US South was central to the struggle of Northern workers.
Secondly, the pitfalls of the politics of WHHLM is that a preconceived agenda winds up being forced on hip-hop from without. As a result, it squeezes hip-hop into categories which are incompatible with its content ("Hip-hop should be this or that.").
This is not to say that one cannot interject to push an object into a particular direction, but this direction has to be a latent tendency within it already. Reaction (right-wing libertarianism), minus one Zionist rapper who springs to mind, is not an existing tendency and is, in fact, antithetical to hip-hop. This is because of hip-hop's inherent mass character. The property rights of a few and backward nationalism are not of a mass, universal content.
Democracy and Hip-Hop is a blog with a political perspective on social issues also, but the divergence is that we let hip-hop as an object become on its own terms, accepting the components which are necessarily authoritarian. Authoritarianism should be struggled against, but only as it manifests in reality and social relationships, not as it manifests in art.
Check out Where HipHop and Libertarianism Meet and let us know how it strikes you.


